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Discovering the Gems of India-1

This year (2025) Independence Day (15 August) offered a long weekend of 3 days and if one could add 2 more days, it became a fabulous 5-day break. We couldn’t have missed this chance. Together with Topshe and Gora, a road trip was planned in the hills, Shangarh and Sissu, both in Himachal Pradesh, are quaint non-commercialized urban villages offering breathtaking view of the mountains besides doable treks. Everything was fine and going as per plan till the nature decided to open up the skies to wash and cleanse the mountains, every day, news of cloudburst and landslides blocking the roads floated in and we were forced to focus on Plan-B, Madhya Pradesh. The sites closer home viz Khajuraho was already covered by us separately, earlier. I have heard of Bhim Betka Rock Shelters and its rock paintings dating back to 30000 to 10000 years, beginning of human race, and proposed it to Topshe. He in turn made a grand plan of not just Bhim Betka but included Udaigiri Caves, Sanchi Stupa (3rd Century BCE) and Mandu (Jahaj Mahal) Fort in the itinerary. We also thought of visiting Mahakaleshwar Jyotir Linga Temple in Ujjain, if time permitted. The proposed tour spanning 5 days started on 13th and culminated on the late evening of 17th August 2025 and was planned in two days’ time.

The tour party comprised of Tapas & Sudipta, Manojit, Amalda, Mitali & Shraboni (sister-in-law of Amalda), Sumita (Deepika’s friend), Deepika & I. Traveling in Kia Carens and Jeep Compass.

With so much content, I decided to do it in two parts… the account of first part is here.

Day One: The Day of Travel

We started from my home around 5:45 am, a clear 30 minutes delay from the proposed time and caught up with Topshe & others at the Mahamaya Flyover at 6:05 am. After a brief chat we began our journey. The first break came at Jewar Toll Plaza where we stopped for tea and bathroom break. And I realized in the hurried departure from home, I had forgotten to carry my black coffee flask.

We had our proper breakfast at the Chambal Spice restodhaba, Dholpur, where I had visited 3 years ago while traveling to Bengaluru by road with my son Ayush. At that time, we were informed that the place had started operation only a week ago; in three years, it had lost its shine both in ambiance as well as the quality of food and service.

The journey from thereon was a long one through NH44 and we were greeted with light showers on and off. Right after Morena, we took the NH46 towards Gwalior-Shivpuri. Unlike the NH44, this National Highway, a 2-lane road took us inside the towns and villages with local traffic pouring on it, maneuvering through such condition affected our time and consumption of fuel. After crossing Guna, we found some reprieve with lesser local traffic but rain and narrow 2-lane road did not allow us to speed up beyond 60-70 kmph. Since we had a heavy breakfast, we did not stop for the lunch but halted at a BP fuel station to freshen up. Unfortunately, the toilet at this place was extremely dirty prompting us to abandon the idea till we found the IO fuel station 100 meters away with a clean one. I was carrying boiled egg while Mitali had some homemade delicious cake which were devoured in quick time standing under the open skies ready to open up and it did.

As soon as we started for the final leg of our journey, we were greeted with light to heavy rains most of way to Udaigiri but the advantage was practically empty road allowing us zip through whenever the visibility improved. We reached our destination, Village Deck Resort around 7 pm, a good 13 hours journey. The lowest point in our travel from Delhi to Udaigiri was the abandoned cattle on the road, any distraction or slight mistake could have been fatal.

The Village Deck Resort can hardly be classified as a resort. It was spread over 3000 sq mtr with habitable rooms, a swimming pool, a water body with a flock of swans besides open grassland kept for future development. In their website the name was prefixed with “MPT” denoting “Madhya Pradesh Tourism”, a govt owned property but it was a misnomer…the place is privately owned and managed property. We were allotted 3 rooms in the main block and 2 rooms on the other side of the water body, supposed to be cottages. The wild smell around it suggested they were less frequently occupied. The rooms were of decent size with functional air conditions that quickly cooled down the temperature and evaporated the wild smell. We settled down and gathered at Sumita’s room to play a few rounds of Tambola that I had carried with us. Later, we had dinner at their dining hall, the food, we were told will be vegetarian throughout our stay as the property followed a strict vegetarian only principle.

Day Two: Exploring the Bygone Era

All of us were tired from the day-long road journey and therefore needed good sleep and rest for the day trip exploring the Sanchi Stupa and Udaigiri Caves, very close to our place of residence.

Sanchi Stupa is a Buddhist complex, famous for its Great Stupa, on a hilltop at Sanchi Town, district Raisen, Madhya Pradesh, India. It is located, about 23 kilometres from Raisen town and 46 kilometres north-east of Bhopal, capital of Madhya Pradesh.

The Great Stupa at Sanchi is one of the oldest stone structures in India, and an important monument to the historical architecture of India. The Sanchi Stupa was originally commissioned by the Mauryan emperor Ashoka in the 3rd century BCE. Its nucleus was a simple hemispherical brick structure built over the relics (bones) of the Buddha. It was crowned by the chhatra, a parasol-like structure symbolising high rank, which was intended to honour and shelter the relics. The original construction work of this stupa was overseen by Ashoka, whose wife Devi was the daughter of a merchant of Vidisha who was born in Sanchi which incidentally happened to be the venue their wedding. In the 1st century BCE, four elaborately carved toranas (ornamental gateways) and a balustrade encircling the entire structure were added. The stupa at Sanchi built during the Mauryan period was made of bricks which over the centuries and dynasties were overlayed with stones to stand in its current form. There are numerous stupas around Sanchi including the Relics of Sariputra and Mahamoggallana, now enshrined in the new Vihara. Sanchi Stupa is depicted on the reverse side of the Indian currency note of ₹200 to signify its importance to Indian cultural heritage.

During the later rule of the Shunga, the stupa no.1 (popularly called the Great Sanchi Stupa) was expanded with stone slabs to almost twice its original size. The dome was flattened near the top and crowned by three superimposed parasols within a square railing signifying the symbol of the dharma, the Wheel of the Law. The dome was set on a high circular drum meant for circumambulation, which could be accessed via a double staircase. A second stone pathway at ground level was enclosed by a stone balustrade. The railings around Stupa 1 do not have artistic reliefs, these are only slabs, with some dedicatory inscriptions. These elements are dated to circa 175–125 BCE. Although the railings are made up of stone, they resemble wooden fence, the joints between the coping stones have been cut at a slant, as wood is naturally cut, and not vertically as stone should be cut. There are short records of the donors inscribed on the railings as well as stone slabs in Brahmi script. 

The decorations of Stupa No. 2 are probably the oldest extensive stupa decoration in existence and this Stupa is considered as the birthplace of Jataka illustrations. The reliefs at Stupa No.2 bear mason marks in Kharoshthi, as opposed to the local Brahmi script. This seems to imply that foreign workers from the north-west (from Gandhara, where Kharoshthi was the script in use) were responsible for the motifs and figures that can be found on the railings of the stupa. For the first time, clearly Buddhist themes are represented, particularly the four events in the life of the Buddha that are: the Nativity, the Enlightenment, the First Sermon and the Death.

Stupa No. 3 was built during the time of the Shungas, who also built the railing around it as well as the staircase. The Relics (bones) of Sariputra and Mahamoggallana, the disciples of the Buddha are said to have been placed in Stupa No. 3, these relics boxes were excavated in 1950’s and are kept in the vault of the nearby museum. Every year, they are taken out and displayed for public viewing on the last Sunday of the month of November coinciding the inauguration of the museum by Pandit J L Nehru, the first Prime Minister.

We had commissioned the services of an ASI certified guide, Rakesh, a very knowledgeable person, who took us through the site explaining each facet of the monument often interspersing with local folklore, e.g. the 40ft high Ashoka Pillar was cut into pieces and the lion head was taken by a local zamindar or land owner to adorn his home. We saw the black stone pieces of the pillar on site, the top portion with lion heads is now on display at the Bhopal Museum.

We did not realise that we spent more than 3.5 hours touring the Grand Stupa and the surroundings. There were groups of Buddhist devotees from Sri Lanka wearing a kind of uniform of similar T-Shirts with badges and caps for easy identification, were seen offering prayers at the site and doing parikrama or circumambulation of the Great Stupa. Some of us bought a few souvenirs from the vendors at the parking lot before leaving for our next destination, Udaigiri Caves.

The Udayagiri Caves are twenty rock-cut caves near Vidisha, Madhya Pradesh primarily denoted to the Hindu gods Vishnu and Shiva from the early years of the 3rd century CE to 5th century CE. They contain some of the oldest surviving Hindu temples and iconography in India. They are the only site that can be verifiably associated with a Gupta period monarch from its inscriptions. One of India’s most important archaeological sites, the Udayagiri hills and its caves are protected monuments managed by the Archaeological Survey of India.

Udayagiri caves contain iconography of Hinduism and Jainism. They are notable for the ancient monumental relief sculpture of Vishnu in his incarnation as the man-boar Varaha, rescuing the earth symbolically represented by Bhudevi clinging to the boar’s tusk as described in Hindu mythology. The site has important inscriptions of the Gupta dynasty belonging to the reigns of Chandragupta II (c. 375-415) and Kumaragupta I (c. 415-55). In addition to these, Udayagiri has a series of rock-shelters and petroglyphs, ruined buildings, inscriptions, water systems, fortifications and habitation mounds, all of which remain a subject of continuing archaeological studies. The Udayagiri Caves complex consists of twenty caves, of which one is dedicated to Jainism and all others to Hinduism. 

The Udaigiri Caves was on our way back from Sanchi towards our hotel. We were told that only a portion on the ground level is open to public as a Leopard family with 4 cubs have taken shelter in one of the upper caves and it would not be wise to disturb them. The caves at the ground level were all gated and locked without any source of light inside, so we had to be satisfied with the inscriptions outside each cave. At the cave number 13, we could see the rock-cut image of reclining (sheshshayi) Lord Vishnu on the coil of primeval snake, Sheshnag with his head resting on one of his four hands. It is one of the earliest and largest single-rock sculpture of reclining Vishnu. In another cave, visible clearly was the image of Lord Vishnu in Varaha Avatar rescuing the earth depicted as Bhudevi.

I had a mild hope of seeing the leopard family in the wild but it remained unfulfilled. We came back to the Village Deck Resort, very hungry, just in time as the skies opened up for the next one hour with torrential rain. We enjoyed our food and the rains from the safety of the dining hall.

We rested for couple of hours and then played tambola through the evening before dinner time. Later, I teamed up with Topshe while Amalda partnered Manojit for few hands of TwentyNine to end the first leg of our journey.

To be continued…

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Ajanta-Ellora Sojourn

Let’s go somewhere in the coming week, declared Deepika.

Where? I asked knowing well that I will have to search the destination. I shortlisted few places… Varanasi, Corbett, Kanataal, Aurangabad and Goa. All of them are drivable as far as I am concerned.

Let’s go to Aurangabad but fly down because I have to be back by Saturday. So, in 24 hours, the flight ticket bought and hotel booked. Sumita (Deepika’s friend) joined us this time.

Chhatrapati Sambhaji Nagar (Aurangabad)

There are four direct flights to Aurangabad, 2 in the morning and 2 in the evening. We took the evening Indigo flight and reached Aurangabad around 6:15 pm and in the hotel by 7pm. There was a bit of confusion at the airport… Deepika had booked a taxi service for our entire stay right from airport pickup to drop. She received the vehicle number and we were surprised to find a Toyota Innova and then another group of seven also claimed it to be theirs’ but we beat them in occupying. The driver was in a dilemma and called the owner to explain the confusion. The owner realised his mistake and gave us the number of another vehicle, fortunately, the car, a Suzuki Desire was there at the airport parking and came to us in quick time.

Once we checked into the Hotel Click, suggested by my friend Tapas, we freshened up and went to The Bhoj Thali Restaurant at CIDCO, next to Fern’s Residency. The speciality of this restaurant is the Thali consisting of over 21+ items and unlimited regional delicacies and non-alcoholic local drinks. We were not very hungry but still enjoyed the tasty platter and when we thought we are done, they brought Khichdi and Rice which we had to decline.

Ajanta Caves

Ajanta Caves are about 100 km from Aurangabad on way to Jalna and takes approx. 2.5 – 3.0 hours, most of the road stretch is in good condition with work in progress at few points. We had a quick breakfast and by the time we are done, the cab also arrived at the hotel.

We checked about the road condition with the young driver, Samadhan (Solution) and he confirmed that roads have been re-laid/newly constructed however there are patches where work is still going on. He said that he makes at least ten trips to Ajanta every month.

It took us about 2.5 hours to reach our destination. We paid for the parking and use of utilities and was told to proceed for the bus which will take us to the cave site. The bus ride costs INR 30 per person each way for non-AC coach and INR 35 for AC, though I couldn’t find any AC coach. The drive was through serpentine hilly track of 4.5 km and took about 10 minutes.

The Ajanta Caves dates back to 2nd century BCE through 6th century CE and had been a sanctuary for the Buddhist Monks and their disciples. The caves are adorned with sculptures as well as paintings that still reflect vibrant colours. There are 30 caves but some of them remains unfinished…the important ones to explore are 1, 2, 16, 17 & 19 for mural paintings and 1, 4, 17, 24 & 26 for sculptures. The cave number 9, 10, 19, 26 & 29 are Chaitya Halls while the others are Viharas. Out of these, Chaitya caves 9, 10 and Viharas 8, 12, 13 & 30 belongs to Hinayan system where instead of the Buddha Idol, the symbols associated with Gautam Buddha such as Dharma Chakra in the shape of Lotus, Stupa and the Bodhi Tree were worshipped through 2nd century BCE to 2nd century CE. The other caves excavated after long break belongs to the 5th & 6th century CE and belongs to the Mahayana sect. These caves have the image and idol of Gautam Buddha in various postures.

The theme of the paintings is Jataka Tales right from the birth of Buddha to his attaining Moksha. Similar themes can be found in the sculptures as well. The fascinating details in the sculptures and the use of vivid colours in the paintings made us wonder at the creativity and workmanship of our ancestors. They not only hand carved those caves cutting up the mountains, large enough for habitation but created chambers for different activities without any modern tools and machines. We were told that the caves were carved out at different periods over many centuries. After the decline of Buddhism some time in the 6th century CE, the caves were abandoned and remain hidden behind thick foliage and jungle for many centuries. It was accidentally discovered by a British Cavalry Officer named Captain John Smith in 1819 while hunting a tiger, he stumbled upon the horseshoe shaped rock with many caves having Buddhist artifacts inside…couldn’t resist to leave a graffiti message on a painting in the cave number 10, “John Smith, 28th Cavalry, 28th April 1819”.

We spent more than 3.5 hours exploring the caves and each one fascinated us with its creativity and workmanship…told us stories of the bygone era. Even the unfinished caves have their own stories to tell if only someone has the patience to sit back and meditate.

On the way back to the parking, we stopped at a shop to buy few rough-cut stones like amethyst and crystal. I bought two idols of Ganesha and Radha-Krishna as an act of charity from a roadside vendor.

While driving back, Samadhan, our driver received a call from his uncle that his father had a paralytic stroke and taken to the hospital. On returning to the city, he still took us to the shop specializing in Paithani Silk sarees and dress material as he had promised to Deepika and Sumita. I pray to Madhav for his father’s quick and complete recovery.

We rested for about half hour in our rooms while our phones were charging then went to another famous restaurant of Aurangabad called The Great Sagar specialising in Mughal cuisine. We were told their specialty dish is Naan Khaliya, a non-veg preparation of either chicken or mutton and served with thick naan or Khamiri Roti. It sounded to be a good dish and Sumita decided to try it out the chicken version, I wasn’t so sure, so opted for the tried n tested mutton biriyani while poor vegetarian Deepika was stuck with dal-tadka, paneer and roti. As it turned out, the Naan Khaliya is a overhyped dish…it is basically a spicy soupy curry of chicken or mutton with naan, a damp squib. Deepika found the vegetarian dishes below par, but the biriyani was decent flavourful with well cooked mutton pieces. Overall, it was not a pleasant dining experience especially after our visit to the Bhoj Restaurant.

Back in the hotel, we played Rummy till midnight… needless to say I did not win a single hand.

Ellora Caves

We started a bit late for the Ellora caves as the cab designated to us had a flat tyre and came late to pick us. We had earmarked few other places to see besides Ellora. Our first destination was Ghrishneshwar Temple, close to the Ellora caves. Ghrishneshwar means “lord of compassion”.

Ghrishneshwar Jyotirlinga is a Hindu temple of Shiva in Verul village of Aurangabad district and considered as the 12th Jyotirlinga mandir. The mandir is a national protected site, 1.5 Km away from the Ellora Caves and approx. 30 kilometres north-west of the city Aurangabad. Ghrishneshwar finds mention in various scriptures such as Shiva Purana, Skanda Purana, Ramayana and the Mahabharata.

The temple structure, just like the Somnath Temple in Gujarat, was relentlessly attacked and destroyed by the Delhi Sultanate in 13th and 14th centuries. It was re-built by Maloji Bhosale, grandfather of Shivaji Maharaj in the 16th century only to see another destruction by the barbaric Mughal empire. The current form of the temple was re-built in the 18th century under the sponsorship of Queen Ahilyabai Holkar of Indore. Today, it is an important and active pilgrimage site of the Hindus and attracts devotees from across the country. There is no bar in entering the temple premises and its inner chambers, but to enter the sanctum sanctorum or garbha-gruha of the temple, the local Hindu tradition demands that men must go bare-chested just like in Guruvayur Temple in Kerala.

Deepika and Sumita went inside the temple while I remained outside guarding their belongings. Mobile phones and cameras are not allowed inside, like in many other Hindu pilgrimage sites, a practice, I neither understand nor support. It took them more than half hour to perform the rituals and we started off for the Ellora Caves.

As you enter the Ellora Cave complex, the majestic Kailasha Temple (cave no.16) welcomes you. The Kailasha temple is the largest of the rock-cut temples at the Ellora Caves. A megalith carved from a cliff face, it is considered one of the most remarkable cave temples in the world because of its size, architecture, and sculptural treatment. It has been called “the climax of the rock-cut phase of Indian architecture“. The top of the structure over the sanctuary is 107 ft above the level of the court below. Although the rock face slopes downwards from the rear of the temple to the front, archaeologists believe it was sculpted from a single rock. The complete temple complex gives an impression of a Chariot on the move.

The Kailasa Temple (Cave 16) is the largest of the 34 Brahminical, Buddhist, and Jain cave temples and monasteries known collectively as the Ellora Caves, ranging for over two kilometers along the sloping basalt cliff at the site. Most of the excavation of the temple is generally attributed to the eighth century Rashtrakuta King Krishna-I (756 – 773), with some elements completed later. The temple architecture shows traces of Pallava and Chalukya styles. The temple contains a number of relief and free-standing sculptures on a grand scale equal to the architecture, though only traces remain of the paintings which originally decorated it.

The Kailasa Temple is notable for its vertical excavation—carvers started at the top of the original rock and excavated downward. The traditional methods were rigidly followed by the master architect which could not have been achieved by excavating from the front.

“The local Marathi legend, Katha-Kalpataru by Krishna Yajnavalki (c. 1470-1535 CE) mentions that the local king suffered from a severe disease. His queen prayed to the god Ghrishneshwar (Shiva) at Elapura (Ellora) to cure her husband. She vowed to construct a temple if her wish was granted, and promised to observe a fast until she could see the shikhara (top) of this temple. After the king was cured, she requested him to build a temple immediately, but multiple architects declared that it would take months to build a temple complete with a shikhara. One architect named Kokasa assured the king that the queen would be able to see the shikhara of a temple within a week’s time. He started building the temple from the top, by carving a rock. He was able to finish the shikhara within a week’s time, enabling the queen to give up her fast. The temple was named Manikeshwar after the queen.”

The entrance to the temple courtyard features a low Gopuram. Most of the deities at the left of the entrance are Shaivite (followers of Shiva) while on the right-hand side the deities are Vaishnavites (followers of Vishnu). A two-storeyed gateway opens to reveal a U-shaped courtyard, edged by a columned arcade three storeys high. The arcades are punctuated by huge sculpted panels, and alcoves containing enormous sculptures of a variety of deities. Some of the most famous sculptures are Shiva the ascetic, Shiva the dancer, Shiva being warned by Parvati about the demon Ravana and river goddess Ganges coming out of Shiva’s knotted hair.

Within the courtyard, there is a central shrine dedicated to Shiva, and an image of his mount Nandi (the sacred bull). The central shrine housing the lingam features a flat-roofed mandapa supported by 16 pillars, and a Dravidian shikhara. The shrine – complete with pillars, windows, inner and outer rooms, gathering halls, and an enormous stone lingam at its heart – is carved with niches, plasters, windows as well as images of deities, maithuna (erotic male and female figures) and other figures. As is traditional in Shiva temples, Nandi sits on a porch in front of the central temple. The Nandi mandapa and main Shiva temple are each about 7 metres high, and built on two storeys. The lower storeys of the Nandi mandapa are both solid structures, decorated with elaborate illustrative carvings. The base of the temple has been carved to suggest that elephants are holding the structure aloft. A rock bridge connects the Nandi mandapa to the porch of the temple. The base of the temple hall features scenes from Mahabharata and Ramayana. There are five detached shrines in the temple premises; three of these are dedicated to the river goddesses: Ganga, Yamuna and Saraswati. There are two Dwajasthambs (pillars with flagstaff) in the courtyard. A notable sculpture is that of the Ravana attempting to lift Mount Kailasa.

After being awestruck by the magnitude of the marvelous Kailasha Temple, we proceeded to see the cave nos. 30 to 34, the Jain excavations. We were taken there by an electric van… the distance almost 2 km from the entrance gate. The cave number 32 is the biggest of the caves having a large hall with antechambers and the sculpture of Lord Mahavira. Its 2-storey cave with steep unequal stairs going up to reveal a serene room fit for meditation. There is a connecting narrow corridor to the cave no.34. We were sceptical of the unequal stairs and decided to climb down carefully, no point in injuring oneself at this ripe age.

The EV took us to the cave number 29, another massive cave structure, 46 metre wide and almost 6 metre high. It has a group of halls in the form of a cross with wide columns and a pair stone lion guarding the entrance. Everything in this cave is huge… Lord Siva with eight arms depicting the fearsome destroyer. Another colossal Shiva in Nataraj dance posture in the portico.   

We were dropped back to the main entrance gate from where we walked towards the cave nos. 10 to 1 but midway, Sumita decided to stay back because of exhaustion. These are primarily Buddhist excavation quite similar to the ones at Ajanta. We quickly reviewed these and left for the Bhadra Maruti Temple dedicated to Lord Hanuman.

At the Bhadra Maruti Temple, located in Khuldabad, the idol of Lord Hanuman is portrayed in a reclining or sleeping posture. It is one of only three places where Lord Hanuman is represented in a sleeping posture. The other two places are on the banks of Ganges at Triveni Sangam in Prayagraj, Uttar Pradesh and at Jam Sawali, Madhya Pradesh.

“According to a folklore, in ancient times the Khuldabad was known as Bhadravati and the ruler was a noble king named Bhadrasena, who was an ardent devotee of Lord Rama and used to sing songs in His praise. One day Lord Hanuman descended in the place, listening to the devotional songs sung in praise of his master, Lord Rama. He was mesmerized and without his knowledge took a reclining posture – called ‘Bhava-samadhi’ (yogic posture). King Bhadrasena, when he had finished his song, was astonished to find Hanuman in Samadhi before him. He requested Hanuman to reside there forever and bless his as well as Lord Rama’s devotees.”

Normally, I don’t go inside any religious places unless it has some architectural, historical significance but it had very little crowd and on Deepika’s insistence went inside. It’s a comparatively small temple, quite clean. Inside the temple it was clearly mentioned that photography is not allowed but there were people, not devotees…(they can’t be called devotees if they do not have the basic sense of discipline) rampantly ignoring/ disobeying the order and taking pictures as well as selfies. I felt disgusted at their callousness. Within the complex, there exists another small open temple dedicated to Shani Dev. Just outside the temple perimeter, some vendors were selling Puja Samagri including mustard oil in a small bottle, Deepika was about to buy when I noticed that only male members are allowed to do the puja. I do not know the reason behind it and will ask my learned friend Acharya Indrajit Ji but found it very patriarchal, especially in these modern times. Another interesting thing I learned recently that the Shani Dev idol is never covered from the top, it stands under the open sky irrespective of weather.

Sumita wanted to buy Paithani Saree and Himroo Shawl right from the time we decided to come to Aurangabad. These are speciality items of the region and well known even beyond the borders. While coming from the city, we had seen few shops selling such items. I went with them in the first shop but realised that it was not for me, I decided to sit in the car while my phone got charged, allowing me to take a quick power nap that got me recharged for the evening.

We visited the Bibi ka Maqbara in the evening after sunset, it was all lighted up making it look surreal and beautiful. I haven’t seen Taj Mahal at night… I thought if this looks so beautiful, then Taj would be magnificent majestic with its overpowering presence under skilful lighting arrangements.

“The Bibi Ka Maqbara is a tomb located in the city of Aurangabad, Maharashtra. It was commissioned in 1660 by the Mughal emperor Aurangzeb’s son, Prince Azam Shah in the memory of his loving mother Dilras Banu Begum also known as Rabia-ul-Durrani. It bears a striking resemblance to the Taj Mahal, the mausoleum of Aurangzeb’s mother, Mumtaz Mahal and that is why it is also called the Taj of the Deccan. The mausoleum was intended to rival the Taj Mahal, but the decline in architecture and proportions of the structure (both due to the severe budgetary constraints imposed by Aurangzeb) had resulted in a different and particular monument with its own significant beauty.”    

It was time for dinner by the time we finished exploring the monument… we were hungry too as the last meal we had was our breakfast. Initially, we thought of visiting Lok Seva Restaurant, a multi-cuisine restaurant serving both veg and non-veg dishes but Deepika and Sumita wanted to revisit Bhoj Thali Restaurant. We are living in democracy!!

This time we went to their second outlet, newer and well-appointed décor’ at Pushpa Nagari, Samarth Nagar. We knew what to expect and were ready to rejoice the dishes. I can’t say about my companions but I had a hearty dinner to my complete satisfaction even though it was vegetarian.

Later, coming back to our room, we played Rummy again and this time I won few hands. We slept late after a video chat with Ayush-Rajashree calling from Rome.

Freestyle Roaming

After breakfast, we checked out from the hotel but kept our luggage in the cloakroom of the hotel. We have kept the day for local sightseeing and shopping, though I doubted if we would get anything worthwhile to carry back to Delhi.

Our first destination was Soneri Mahal, located inside the campus of Dr. Bhim Rao Ambedkar University. The main building is constructed across the ridge of a hill and is surrounded by lush green trees, gardens, and fields. The palace was said to feature paintings made of real gold, thus giving it its name. The entrance is a solidly built structure with fortifications. The Hathikhana gate has ornate arches and is adorned with intricate carvings. From this gate, a central pathway leads to the main palace. On either side of the pathway are gardens and in the middle of this pathway is a large rectangular water reservoir.

Unfortunately, the palace was closed for renovation and I hope they will do justice to the gardens which were full of weeds and other unwanted foliage.

The next destination was Aurangabad Caves, quite similar to the Ajanta and Ellora caves but much more recent excavation. We had to climb more than 82 stairs to reach the caves and it killed me, I was panting like never before. When I looked at Deepika and Sumita, realized they were in no better condition. The caves are divided in three separate sections, we managed to see only one section and had no energy to climb again, moreover, the architecture and ornamentation of the caves are quite similar to Ajanta and Ellora and we had seen them all.

The Aurangabad Caves, are twelve rock-cut Buddhist shrines located on a hill running roughly east to west, close to the city. The Aurangabad Caves were dug out of comparatively soft basalt rock during the 6th and 7th century. The caves are divided into three separate groups, the “Western Group”, with Caves 1 to 5, the “Eastern Group”, with Caves 6 to 9, and a “Northern Cluster”, with the unfinished Caves 9 to 12. The carvings at the Aurangabad Caves are notable for including Hinayana style stupa, Mahayana art work and Vajrayana goddess. These caves are among those in India that show 1st millennium CE Buddhist artwork with goddesses such as Durga, and gods such as Ganesha besides numerous Buddhist deities of the Tantra tradition are also carved in these caves.

With that we completed our touristy exploration, Sumita now wanted to see the local markets, so we proceeded to Gul Mandi Market/ Nirala Bazaar. They are very similar to the markets of Lajpat Nagar, Ajmal Khan markets of Delhi, only scaled down substantially. Deepika bought a suit piece for gifting. Sumita couldn’t find anything interesting and after searching the net, decided to check Paithani Silk Store situated at the Connaught Shopping Market. While they went in, I stayed back in the car, my phone battery had drained out to only 30% and needed immediate recharging… the car charger was old and wasn’t charging the phone, so I went to a nearby shop and bought one. By the time the girls came, my phone showed 82% charged, so one can imagine how quickly they did their shopping!!

As per our tradition, we have one meal in a star rated hotel to complete our travel, so we went to Taj Vivanta for lunch and relaxed there till evening. Later, the cab dropped us to the hotel as the driver had other assignments promising that another cab would come to drop us at the airport. I knew that the owner, Suresh himself would be coming to collect the money and drop us at the airport. I found Suresh to be friendly and amiable person. On request from Deepika and Sumita took us to a shop specializing in Paithani Silk sarees from where Sumita bought a saree.

We reached the airport early and had a long waiting time, so took out the pack of cards and played Rummy till our boarding was announced. Sumita stayed overnight with us and went home in the morning. On a scale of 1 to 10, I would place this escapade at least 8.9 because of certain hiccups we faced which I avoided mentioning. We also skipped two historical places, Daulatabad Fort, because of steep climbing/ trekking of almost 4 km and Tomb of Aurangazeb, for obvious reasons.

Posted on by Aranyascope · 5 Comments

The Pink City Express Visit

Jaipur skyline from hotel room

Ayush and Rajashree were going to attend a wedding of their friend at Jaipur, Deepika and I decided to tag along to have their company through the journey, a road trip I have been looking forward for many months. They came over the weekend for our journey slated for the Monday 8th July.

We left for Jaipur around 6/6:15 am, filled up the tank on the way but couldn’t check the tyre pressure which is a norm I follow for all long drives. In good time we crossed Gurugram and reached Delhi-Mumbai Expressway. It’s a boon for the commuters from Delhi+NCR to Jaipur as the original NH8 (NH148) takes over 6 hours to reach Jaipur due to narrow and heavy vehicular traffic. Around 9 am we stopped for breakfast at a “Rest & Recreation” somewhere after crossing over to Rajasthan between Alwar and Dausa. The food was below average, we had better stuff at another such stopover, which happened to be the next one as we drove towards Dausa. The driving on expressway can become monotonous making the driver drowsy, especially after meals and I started feeling sleepy but managed to stay awake and reached the old highway which is the connector from Dausa to Jaipur. I stopped and asked Ayush to take the wheels. He drove nicely as I slept soundly.

My sis-in-law, Bina Sapra lives in Jaipur and was the reason Deepika & I decided to visit the city. We reached her spacious home around 11 am and was welcomed with tea and sweets. Her husband had stayed back to meet us all. She had made lunch for all of us… Ayush and Rajashree were to join the wedding celebrations of their friend, so they had an early lunch and left for the Mariott hotel with their cousin Rishabh. Deepika and I took it easy and chatted with Bina over a leisurely lunch before leaving for our hotel Hyatt Place, Malviya Nagar, Jaipur, a 5-7 minutes’ drive from their home. Bina had suggested Hotel Lalit but the online reviews of the hotel did not inspire us. Normally, the room sizes in Hyatt are small (Delhi, Hyderabad) but here we got a decent size of room with usual star hotel amenities… made us happy with our choice.

In the evening, after a good nap, fully rejuvenated, Deepika went out with her sister Bina for shopping while I went to meet my friend and school buddy, Colonel Abhijit Das. His home is at a place called Nirman Nagar, Jaipur. In all my previous trips to the city, it had been centered around the older part like Johri Bazar, Bani Park areas. I have never been to this part of the city, so I trusted Google Map to take me to my destination (my friend had sent me his location). It took me about 30-35 minutes in peak evening traffic but I reached. It was exhilarating experience meeting my friend after 44 years… none of us have changed much except putting on a bit of meat and having aged gracefully. He had set up a nice cozy home where he lives with his better half Sapna, a teacher by profession and aged father. His only daughter is married and settled in Luxembourg with her husband. We chatted for over an hour, talking about school days, professional life and the present over a cup of tea and savories.

Deepika called up to inform that a dinner has been planned at the Shikhaar Bagh situated inside the Hotel Narain Niwas. It was a 30 minutes’ drive from Nirman Nagar so I took leave of my friend, Colonel Sahib promising each other to meet again.

While going to Narain Niwas, Google Map suggested an alternate route while showing congestion ahead. I took it and reached the Ajmer Road from where I was to take a right turn but Jaipur Police had put up temporary barriers preventing right turns. I took left and following the map came back to the same spot!!! Luckily, the congestion had cleared by now and I drove on the original route to reach my destination within permissible delayed time. Sandeep & others had ordered soup and nachos as starter. I ordered a sweetcorn chicken soup, the sisters wanted to share a pizza and the husbands decided to share a chilly garlic chicken noodle without egg (Sandeep is allergic to eggs). I found the pizza to be little dry but my soup was edible. Despite clear instruction, the noodles came with egg toppings and was asked to be replaced. The food was average but portions were quite generous.

Following morning, we went to Pushkar to see the famous Brahma Temple next to the Pushkar Lake.

Brahma Temple, Pushkar (also known as Jagatpita Brahma Mandir) is a Hindu temple situated at Pushkar in the Indian state of Rajasthan, close to the sacred Pushkar Lake to which its legend has an indelible link. The temple is one of very few existing temples dedicated to the Hindu creator-god Brahma in India and remains the most prominent among them. The temple structure dates to the 14th century CE, with later partial rebuilding. The temple is made of marble and stone slabs. It has a distinct red pinnacle (shikhara) and a hamsa bird motif. The temple sanctum sanctorum holds the image of four-headed Brahma and his consort Gayatri (goddess of Vedas). The temple is governed by the Sanyasi (ascetic) sect priesthood.  On Kartik Poornima, a festival dedicated to Brahma is held when large numbers of pilgrims visit the temple, after bathing in the sacred Pushkar lake.

The temple is said to have been built by the sage Vishwamitra  after Brahma’s yagna (ritual). It is also believed that Brahma himself chose the location for his temple. The 8th century Hindu philosopher Adi Shankara renovated this temple, while the current medieval structure dates to Maharaja Jawat Raj of Ratlam, who made additions and repairs, though the original temple design is retained.  Pushkar is often described in the scriptures as the only Brahma temple in the world, as a result of the curse of Savitri (Saraswati), and as the “King of the sacred places of the Hindus”. Although the Pushkar temple is no longer the only temple to Brahma, it is still one of very few existing temples dedicated to Brahma in India and is the most prominent among them.  The Pushkar Lake and the Brahma temple were identified as one of the 10 most religious sites in the world and one of the five sacred pilgrimage places for Hindus in India.

The temple is open for worship between 6:30 am and 8:30 pm during winter and 6:00 am and 9:00 pm during summer, with an interval in the afternoon between 1:30 pm and 3:00 pm when the temple is closed.  Three artis are held in the temple: Sandhya arti in the evening about 40 minutes after sunset, Ratri Shayan arti (night-sleep arti) about 5 hours past sunset and Mangala arti in the morning, about 2 hours before sunrise.  The priests at the Brahma temple adhere to a strict pattern of religious practice. House-holders (married men) are not allowed to enter the sanctum sanctorum to worship the deity; only ascetics (sanyasis) can do this. Hence, all offerings by pilgrims are given, from the outer hall of the temple. The priests of the temple in Pushkar, generally belong to the Parashar gotra (lineage).

Once a year, on Kartik Poornima, the full moon night of the Hindu lunar month of Kartik (October – November), a religious festival is held in Brahma’s honour. Thousands of pilgrims come to bathe in the holy Pushkar Lake adjacent to the temple. Various rites are also held at the temple during the fair. The day also marks the famous Pushkar Camel Fair, held nearby.  Special rites are performed on all poornimas (full moon days) and amavasyas (new moon days).

When we reached at the mandir, it was closed for afternoon siesta, so we went see the lake. Bina and Deepika went down to the banks of the lake which was quite dirty but people revered the spot. Before that we needed to use a rest room, so stopped by a restaurant whose signage displayed “AC Restaurant” and we felt that the place would be clean. It was not but usable. We also had to endure the onslaught of the self-styled guides cum priests proclaiming to be brahmins and offered to do puja on our behalf. We firmly shunned them.

While coming back from the lake, I noticed a guy sculpting figurines from black stone… quite modern depiction of the Ganesha and others. We checked the price and he quoted a price that was too high to even consider, so we countered with our offer which he initially rejected but later agreed. I picked up three Ganesha sculptures for Bina, Ayush and ourself.

We had a very peaceful and exclusive darshan of Brahmaji and left for Jaipur stopping once to eat the puri-sabji that Bina had packed for lunch. In Jaipur, we made a stop at MGF Mall where Deepika bought few Jaipuri tops and then at World Trade Park to buy a gift for Rishabh. Unlike Delhi, the malls in Jaipur are much less crowded and Bina confirmed that locals usually don’t visit malls much except to watch a movie or dining. Later, at her home, we had a simple but very tasty dinner, bade our goodbyes and was dropped at our hotel by Rishabh and Bina.

In the morning, we had sumptuous breakfast at the hotel and waited for Rajashree & Ayush to confirm pick-up time. The wedding reception had continued till late night and they went to bed in the wee hours of morning. As confirmed by Ayush, we picked them up from the Mariott around 11:30 am and headed for home, stopping on the highway for Rajashree and Ayush to eat something as they had missed the breakfast at the hotel. We reached home around 7 pm having stopped to buy a sunglass for Rajashree (a Birthday Gift) from a newly discovered shop in DLF Phase-I market (courtesy Sangeeta Basu)… Overall, it was a nice break for all of us from otherwise regimented life.